The author of this article has expertise in personalized gifts.
View all articles by David AndrewsRemember Grease? How about American Graffiti? The original tagline for the
latter movie was "Where were you in '62?" Well, back in those days, if you were
young and full of vim, chances were good that you were in a car. The glory days
of America's automotive lifestyle fell on the 50s and 60s, the halcyon decade
and a half that auto shippers
remember well - where newly-affordable cars existed at the same time as
still-affordable gasoline.
One of the peculiarly American products of the
time was the drive-in theater. The concept was born in the fertile mind of New
Jersey businessman Richard Hollingshead, back in 1932. Despite its later
reputation as a make-out spot for teenagers, the original sales pitch for the
new idea was oriented towards families with children, whose noisy antics would
be problematic in an ordinary movie theater.
Over the following 2-3
decades, the business model was refined and specialized, and various technical
issues were addressed with different levels of success. The problem of sound was
one of the particularly acute, since the open-air nature of the venues made it
difficult to deliver adequate sound to all parts of the theater. For a long
time, theaters solved this problem by issuing individual speakers for each car;
however, this led to problems of its own, such as theft and vandalism. In the
waning days of the drive-in heyday, some theater owners began installing
low-powered radio stations that would transmit the soundtrack to the immediate
vicinity of the theater, in a way that could be picked up on car stereos,
offering increased sound quality while eliminating the need for specialized
equipment.
This is a solution still most frequently used today, although
the Federal Communications Commission has declared FM transmitters to be illegal
for drive-in use. Despite this, many theaters persevere at their own
risk.
Another difficulty unique to drive-in theaters was that they could
only show movies at night - movie projectors are simply not powerful enough to
compete with daylight, and it's impossible to see a picture on the screen while
the sun is up. Even at enclosed theaters, where overhead lights provide only the
fraction of the brightness of sunlight, it's barely possible to see an image on
the screen until they are turned off. A number of shielding options were
attempted to adapt drive-in screens to daylight, but none of them panned
out.
There were a number of things that led to the decline of drive-ins
as entertainment. Increasing real estate costs in many parts of the country made
it harder for them to offer competitive pricing, even with brisk concession
business. High gas prices, giant multiplex theaters with airfield-sized parking
lots, as well as the rapid increase in home-based entertainment options that was
ushered in with affordable VCR's made drive-in theaters less attractive and more
cumbersome as family entertainment.
In the 70s, theaters responded to the
decline in family attendance by shifting their target demographics, marketing
increasingly risky entertainment. This was the era of the cheap grindhouse film;
these brought in thrill-seeking crowds, but served to worsen the reputation of
drive-in theaters, lowering attendance even further.
The institution,
consigned since the 80s to the status of a cultural fossil, has been seeing
something of a comeback in recent years. The availability and low cost of
projection technology has led to a revival of the drive-in scene, this time
oriented mostly towards do-it-yourselfers and fans of independent cinema. Indie
drive-ins are one of the few ways to see a limited-distribution movie on
anything approaching a big screen. Armed with micro-radio transmitters and LCD
projectors, "guerrilla" drive-in operators seek out quiet spots with large blank
walls, where they can share experimental films and other alternative
videos.
As a result of this unexpected revival, there are now a little
less than 400 drive-in theaters in the United States. it seems that the uniquely
American cultural tradition continues to live on.
This article was
written by Patriot Auto Carriers, a auto shipper company that handles
auto shipping.
The author of this article has expertise in personalized gifts.
View all articles by David Andrews